I was going to leave a house, but someone assured me that it was allright to go back upstairs into the house.

I said that it was safer to leave the house through the back door downstairs.

Sometimes that room is dark and no one is there,

but sometimes, the room is lighted and there is a shadow on the door, someone is there, ghosts of the dead and they are kind of mean people. Scary. Scream scary.

Somewhere interspliced between all this, a guide is leading someone and me through a zoo park garden. I get into meditation lotus position and fly up up up up up. They sense my expertise. Suddenly the group walks past a stone pavilion.

I look back and see an orange and black tiger pounce on one of them.
I fly, levitate to them and the tiger grabs my right arm. I levitate lifting the tiger with me and then with a judo flip, my hand to its paw, while in the air, I flip it into a small group of water buffalos below.
Then there was a white and black spotted panther who grabbed the other guy. I similarly lifted it but this time as I was flying past it, it grabbed the lower part of my right leg. I could feel its weight just like with the tiger, and I could feel its teeth on the lower part of my right leg.

At one point, I was levitating above and next to a house and saw sunlight over a meadow below and ahead. The house was on my left. I see an blue corpsish lady in a 4 corner square frame she was smiling a mischievous smile.

Right. Like I said, it was then that I went back into the house and I saw that the corridor to the back door was not dark and empty, but had a strange electric lamplight, and a slight shadow on the back door. There was someone else there. Other ghosts. They gave a ghastly eerie ethereal ghostly presence.

I remember sitting on a mattress on the floor in that room, staying there, unable to get out, and screaming, screaming in my dream. I was expecting one of the ghosts I sensed nearby to stand next to me and I would see it's face. I sensed there was a male and a female. But no one came to my side and then I woke up.
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An Adjoining Dream



I once had a dream about a strange ethereal ghost like addition to a house. Wood very roughly handbuilt together to form a ghostly bridge and porch addition to an already old house. This dream is a complement to the image about the woman smiling michievously at me above, how she was in a ghostly like structure next to a house.
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Dream, Thursday October 29, 2009

Night. I was at a house on Triumph, one block West of Boundary in Vancouver. My friend asks me to bring a gun in a pink soft suede holster to a neighbour across the street.

I go there, stand in front of the door, but no one comes to the door.

Then I notice a bunch of Police cars parked around, and then I thought if they came up to me, and saw that I was dealing with a gun in any way, selling it, or even transporting it to another person, I would get into trouble. So I went back across the street to my friends.
Then I teleported to the front of that house across the street. Now, it was day. The cops had surrounded me and treated me as if I was one of them. They gave me a gun. We all stood in front of the door waiting. Then I squatted down and rubbed my hand over my face sleepily. A Policewoman who was there amongst the group of me, a Police woman and two other Policemen.

The Policewoman said to me, "There is no sleeping on the job. If you are going to sleep, then today is going to be your last day." I did not want to lose such a good and important job so I snapped awake.

The door opens and we go into the house, I peek around the doorframe and look inside, having an artist, George Orwell as a cop kind of attitude. There is a main kitchen table with people sitting.

There is an adjoining room to the right.
There is a coffee table a sofa at the far end and a couch on either sides. There was about three people sitting there. All kinds of stuff were on the table, drugs, bags of marijuana. I go there and I am collecting the marijuana. I was thinking, "I don't really want to do this. I know how you feel, because I smoke pot myself."
As I am collecting the pot from the table I ask a Police man to the right of me, he is sitting on the sofa at the far end of the coffee table, "What should I say?"

"Ask him how often he uses. Ask him how much he spends on it." the Policeman says.

I ask the Spanish looking guy wearing a patchwork work shirt sitting on the couch as he looks up at me mellowly,"How much do you use? How much do you spend on this a month?" Then I say, I can't do this! I am not a cop!

I go to the kitchen room, on the way to leave. I see a cop standing by the door. I explain to him, "I guess it's back to drawing cartoons."

I go to my friend's house. At first they are not there. Then they are there behind a four sided glass counter. I tell them that I wanted to buy a painting of Keith Richards from the Rolling Stones.
They showed me the picture. I saw only a frame and not a picture. Somehow the frame was actually a triptych and Keith Richards was on one of the three frames.


I recalled the bag of pot on the table.
I told them that I spent some time as a cop. They said, "You should have collected some of that pot and sold it. That's what they do! And if there was a bag full of crack, you could have grabbed that too!"
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Show And Tell

This is my new big screen TV hooked up to my computer, or rather, vice versa.


These images are from Herge's Tintin. These images give a kind of campy bourgeous comic book feel, really intense like when I first discovered Winsor McCay, during the Spring when I was 21 years old. That artist, for awhile went out of fashion for awhile, but if you order the full size reprints of the Little Nemo in Slumberland comics, it does have the same kind of ornate baroque vibes, sort of like coming down off of mushrooms.
I wish to achieve this level of artistic mastery. In fact, this is my pledge.
This is why, with my computer hooked up to the big screen TV, of course this means a much bigger "canvas" where I can squeeze in a lot more details. Over the course of time, I will inject some mind blowing psychedelic images into my cartoons now that I have more space to add in more details.
I wish to create good feelings if maybe not quite the Stendahl effect, with my cartoons, of course animated cartoon is different than the medium of a paper comic strip, glossy bright colours, in paper has a feeling.
I had a Stendahl effect with some artwork that I saw during the 80s when as a teenager, I would see a picture and not be able to stop crying for a day and a half, but it was a happy kind of crying, or looking at a picture and staying up all night feeling happier and happier each minute and feeling every minute of the growing happiness. But maybe that's just the hormones of puberty.
See the Herge comics above? That's my artistic objective now that I have a big screen TV to work with as a computer screen. I don't know when it will be that I will achieve this objective. Often the best cartoons or artwork comes about accidentally without any kind of planning beforehand.



This is the latest frame of my cartoon. I drew this picture with the computer hooked up to the big screen television. Tintin comics are like this; they are originally drawn on huge poster sized sheets of paper and then the printing press process shrinks down the comic strip to paperback comic magazine size.

Deli cakes. Dean Noble. CGI. 2009

Salmon head.

Old German New York postal clerk.

New York post office. Seize The Day.
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The Carnegie Community Centre in Vancouver, in the dreamworld

The approach to the Community Centre, on the street.

The interior of the Community Centre is spotless and pristine as could be expected in the dreamworld. The green wrought iron framework framing the floors and windows. The mahogany furniture and interiors. In the dream, there were some people in the rooms.
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